<div><b>The screening on Tuesday 29th September, 6:15pm is in collaboration with The Skinny magazine and will have a short introduction. Following the screening there will be a social in Filmhouse’s bar hosted by The Skinny. Come along to discuss the film, 90s fashion, the ever-youthful Paul Rudd and learn more about independent cultural journalism in Scotland with The Skinny’s writers and editors.</b></div><div><b><br></b></div><div><b>Book tickets for two or more of our <a href="https://www.filmhouse.org.uk/jane-austen">Jane Austen</a> films in the same transaction to receive a discount!</b></div><div><br></div><div>Chances are you’ve seen Amy Heckerling’s high-school comedy before. When it was released in 1995, this freewheeling update of Jane Austen’s <i>Emma</i> pretty much became an instant classic and a home video staple. Still, if you haven’t seen the escapades of Alicia Silverstone’s Cher Horowitz in a cinema, then you really haven’t seen <i>Clueless</i>. You need a screen the size of Filmhouse’s to properly savour its artistry, from Bill Pope’s candy-coloured cinematography to Mona May’s outrageous costume designs. And there’s no better place to appreciate Heckerling’s dizzyingly entertaining script than with a room full of people. The gags are so dense and so casually delivered that even if your <i>Clueless</i> rewatches are into double figures, you’ll still find more to enjoy in this endlessly rewatchable masterpiece. Miss this chance to see <i>Clueless</i> on the big screen? As if!</div><div><br></div><div><i>Written by Jamie Dunn, Film Editor for The Skinny</i></div>ComedyPT1H37M12AUSen