<div><b>Screening because <a href="https://www.filmhouse.org.uk/weve-got-a-cinema-and-were-not-afraid-to-use-it/">We've Got A Cinema And We're Not Afraid To Use It</a>!</b><i></i></div><div><i><br></i></div><div><i>“This is the way the world ends. Not with a whimper, but with a bang.”</i></div><div><br></div><div>Near-future America. A corrupt presidential candidate is blackmailed by a former porn star turned reality TV prophet. A megalomaniacal tech-guru manipulates government policy as his new energy source causes environmental catastrophe. An unchecked, militarized police force run by an ultra-conservative think-tank terrorize civilians indiscriminately, and an addictive new drug consumes the country. Sound familiar?</div><div><br></div><div>In 2006 writer-director Richard Kelly (<i>Donnie Darko</i>) baffled audiences at Cannes with his epic, apocalyptic vision of an America on the brink of social collapse; lifting the veil on post-9/11, Iraq War-era America, <i>Southland Tales</i> is as bold, satirical and bizarre as ever. Kelly’s notion that the future would not get better, that we were headed for darker, even stupider times, feels strikingly prescient in 2026.</div><div><br></div><div>With deliberate nods to <i>Kiss Me Deadly</i>, <i>Dr. Strangelove</i>, <i>Repo Man</i>, <i>Strange Days</i> and <i>Mulholland Drive</i>, Kelly’s scope is undeniable. Come for Dwayne Johnson’s twitchy, amnesiac performance, stay for Justin Timberlake’s lip-synching dance routine to The Killers' <i>All These Things That I’ve Done</i>, and don’t miss out on the floating ice-cream truck that heralds the end of all existence…</div><div><br></div><div>Starring Dwayne Johnson, Seann William Scott, Justin Timberlake, Amy Poehler, Wood Harris, Miranda Richardson, Christopher Lambert, and featuring a luminous performance from Sarah Michelle Gellar, our 20th anniversary screening of the original Cannes Cut is a must see for fans of transgressive cinema.</div><div><br></div><div>See you on July 4th.</div><div><br></div><div><div><i>Selected and written by Simon Read, Cinema Assistant</i></div></div>Science FictionPT2H25M152026-07-04