<div><b>This film contains flashing images which may affect viewers who are susceptible to photosensitive epilepsy.</b><b></b></div><div><b><br></b></div><div><b>This</b><b> screening is part of <a href="https://www.filmhouse.org.uk/lavender-lens">Lavender Lens</a>, our queer film strand created in collaboration with the Lavender Menace Queer Books Archive and Programmed with Pride.</b></div><div><br></div><div>Selected by the Lavender Lens Queer Community Programming Group to celebrate Non-Binary Awareness Week (and in anticipation of the director's upcoming August release <i>Teenage Sex and Death at Camp Miasma</i>), Jane Schoenbrun’s debut feature film explores isolation and the deep rabbit hole of the internet through a webcam pointed at Casey, a teen alone in her attic bedroom who participates in a mysterious role-playing horror game found online.</div><div><br></div><div>While explicitly about online themes, <i>We're All Going to the World's Fair</i> also tackles subtextual themes of gender dysphoria, coming out and coming of age. Schoenbrun has said of the film that they were trying "to do something that felt truthful to [their] coming-out process", and they continued to explore these themes in the heavily-linked and nigh-on modern queer classic, <i>I Saw The TV Glow</i>.</div>HorrorPT1H26M152026-07-07